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Lycanthropy Cursed

“Nosferatu Revolution”

(2 of 6)

By

Brian Uhe


PAGE 1


PANEL 1

The police prescient where Detective Harrison works at.


PANEL 2

A police woman carrying files passes by a board on the wall that has missing person sheets pinned on it. There are a lot of them because of the vampires under Nos’ command.


PANEL 3

A close view at one of those missing person sheets which has the picture of the woman that Nos attacked last issue.


PANEL 4

In Detective Harrison’s office space, Detective Harrison is sitting at his desk looking at some more files, while Officer Rick is seated elsewhere in a respectful way.


DETECTIVE HARRISON (chilling and a little depressed)

SIGN. I TELL YOU KID, THIS TOWN IS GETTING MORE AND MORE OF A ONE MESSED UP INSANE ASYLUM WHICH YOU WOULD HAVE TO BE INSANE TO PUT EVEN YOUR INSANE INTO.


OFFICER RICK (respectful and a little nervous)

ARE YOU TALKING ABOUT THAT INCIDENT WHERE A WITNESS THOUGHT HE SAW TWO GIANT BATS FLYING BY AT NIGHT AND HEARD SOME HOWLING AS WELL?


DETECTIVE HARRISON (chilling and a little depressed)

A WITNESS WHO HAPPENED TO HAVE BEEN DRUNK OUT OF HIS MIND WHICH MEANS IT PROBABLY HAS NOTHING TO DO WITH OUR CASE.


PAGE 2


PANEL 1

A close view of Detective Harrison while Officer Rick is in the background.


OFFICER RICK (respectful and a little nervous)

YOU STILL THINK THAT THERE’S WEREWOLVES AND VAMPIRES OUT THERE DOING THE KILLING?


DETECTIVE HARRISON (chilling and a little depressed)

NOT ENOUGH TO SAY THAT I’M UNFIT FOR DUTY, BUT EVEN YOU GOT TO ADMIT THAT THINGS AREN’T BASED ON THE NORM, ESPECIALLY SINCE THEY BEEN HAPPENING SO MANY TIMES THAT IT CAN’T BE COINCIDENCE, AND DID YOU SEE ALL THOSE MISSING PERSONS ON THE BOARD?


OFFICER RICK (respectful and a little nervous)

IT’S HARD TO MISS BECAUSE THERE’S SO MANY.


OFFICER RICK (respectful and a little nervous)

IT’S LIKE A LARGE GROUP OF PEOPLE WERE TAKEN AND DUMPED SOMEWHERE WHERE NO ONE CAN FIND THEM. THEN OF COURSE THERE’S THE NEARLY BLOOD EMPTY BODIES, AS WELL AS THE RIPPED APART ONES, WHICH WERE FOUND.


DETECTIVE HARRISON (chilling and a little depressed)

AS I SAID, THINGS ARE NOT BASED ON THE NORM.


PANEL 2

An above look of the two.


OFFICER RICK (respectful and a little nervous)

YOU THINK THEY’RE DEAD; DO YOU, THE MISSING PEOPLE?


DETECTIVE HARRISON (chilling and a little depressed)

I WOULD VERY MUCH LIKE TO BE WRONG, BUT I THINK THAT THERE’S A VERY GOOD CHANCE THAT THEY ARE, AND THEIR DEATHS MAY PERHAPS BE LINKED TO ONE ANOTHER, AS WELL AS THOSE OTHERS YOU JUST MENTIONED.


PANEL 3

A part of Officer Rick is shown up close, while Detective Harrison is in the background and is looking at Officer Rick.


DETECTIVE HARRISON (chilling and a little depressed)

AND WHETHER NATURAL OR SUPERNATURAL, THE NUMBERS SEEM TO INDICATE THAT THERE’S MORE THEN ONE INVOLVED WITH THESE CRAZED KILLINGS AND THE SIMILARITIES OF MOST OF THEM SUGGESTS A GROUP OF SOME KIND.


OFFICER RICK (partly shown, respectful, and a little nervous)

DO YOU MEAN A CULT?


DETECTIVE HARRISON (chilling and a little depressed)

THE BLOOD DOES SEEM TO FIT A CULT LIFE-STYLE AND THE DESCRIPTION OF THE SUSPECT AT THE CONVENIENT STORE INDICATES THAT HE ALTERED HIS APPEARANCE TO LOOK LIKE SOME DEMON OR CREATURE OF THE NIGHT.


PANEL 4

A close and front view of Officer Rick.


OFFICER RICK (partly shown, respectful, and a little nervous)

A VAMPIRE, THE MAN WAS PROBABLY MADE TO LOOK LIKE A VAMPIRE.


PANEL 5

A close view of Detective Harrison as he has his hand on his chin.


DETECTIVE HARRISON (chilling and thinking)

YOU’RE PROBABLY RIGHT ABOUT THAT.


DETECTIVE HARRISON (chilling and thinking)

HM, HAVE YOU GOTTEN ALL THOSE REPORTS TYPED UP?


OFFICER RICK (not shown)

YES, SIR, EVERYTHING’S FINISHED.


DETECTIVE HARRISON (chilling and thinking)

THEN LET’S GO OUT AND SEE IF WE CAN MAKE AT LEAST A LITTLE SENSE OUT OF THIS CASE.


PAGE 3


PANEL 1

The meeting room of the alchemists, the alchemists are having their meeting to discuss the information they have been able to get about what the vampires are doing although limited.


ALCHEMIST #4 (arrogant and serious)

ARE YOU SURE THAT THIS WILL BE A WISE MOVE TO MAKE WHEN IT COMES TO TAKING DOWN THE ENEMY WHEN THEY COME?


ALCHEMIST #2 (arrogant and serious)

HE MAKES A GOOD POINT. THIS WILL PRACTICALLY BE LIKE A ULTIMATE SACRIFICE WHICH WILL BE MADE BY OTHER’S WHILE WE ESCAPE UNSCRATCHED, HOPEFULLY, WHILE WE WILL LOSE THIS BUILDING AND IT’S RESOURCES.


ALCHEMIST #1 (arrogant and serious)

WE HAVE OTHER PLACES AND RESOURCES ELSEWHERE TO FALL UPON WHILE THIS IS A GOOD OPPORTUNITY TO TAKE DOWN A LARGE CHUNK OF THE ENEMY IN THE NAME OF KEEPING OUR SACRED KNOWLEDGE A SECRET TO THE PUBLIC WHICH IS IN DANGER BECAUSE OF THE NOTICEABLE ACTIVITY THAT THE VAMPIRES ARE MAKING BECAUSE OF THIS NOS.


PANEL 2

Alchemist #5 is the main focus.


ALCHEMIST #5 (arrogant and serious)

IF THE POPULATION EVER LEARNED ABOUT THE EXISTENCE OF VAMPIRES, IT MAY LEAD TO THEIR DISCOVERING THAT ALCHEMY IS REAL, INSTEAD OF THE POPULAR BELIEF THAT IT WAS THE ART OF POSEURS, LIARS AND CHARLATANS, WHICH WOULD LEAD TO A DISASTER THAT WOULD BE SIMILAR TO TRUSTING PRIMITIVES ON HANDLING A NUKE.


ALCHEMIST #6 (arrogant and serious)

YES, ONLY WE OF ALL HUMANITY HAS THE WISDOM THAT GIVES US THE RIGHT TO HAVE THESE SECRETS IN OUR POSSESSION.


PANEL 3

Alchemist #1 is shown among other alchemist as he looks forward and looks annoyed from what he’s hearing.


ALCHEMIST #8 (not shown)

BUT WOULDN’T YOUR PLAN END UP BEING COUNTER-PRODUCTIVE?


PANEL 4

Alchemist #8 is the main focus.


ALCHEMIST #8 (serious and concern)

YOU SAY YOU WANT TO GET RID OF A HUGE PORTION OF A PROBLEM, BUT YOU PLAN TO DO IT BY PUTTING TWO POWERFUL FORCES AGAINST EACH OTHER INSIDE THIS BUILDING THAT HAPPENS TO BE IN A WELL POPULATED CITY WHICH IS VERY MUCH DIFFERENT THEN AN AREA OUT OF NOWHERE.


ALCHEMIST #8 (serious and concern)

SOMETHING WILL SURELY HAPPEN WHICH WILL GRAB THE ATTENTION OF THE OUTSIDE AND BRING IN THE AUTHORITIES, THERE BY GETTING THE OPPOSITE OF WHAT YOU DESIRE WHEN IT COMES TO KEEPING THEM IN THE DARK.


PANEL 5

Alchemist #1 is the main focus and gives off a displeased look that one of his own isn’t agreeing with him.


ALCHEMIST #1 (arrogant, serious, and annoyed)

ONE WHO HAS BEEN AN ALCHEMIST FOR SO LONG, YOU WOULD THINK THAT YOU WOULD KNOW BY NOW THAT WE DO NOT MAKE THE KIND OF MISTAKES THAT THE HUMANS DO.


PANEL 6

Alchemist #8 is the main focus and gives back the same look.


ALCHEMIST #8 (thought balloon, concern, and annoyed)

STILL, YOU GO THROUGH THAT OUTRAGEOUS BELIEF THAT BEING AN ALCHEMIST MAKES YOU MORE THEN HUMAN.


PANEL 7

(PAST SCENE) Alchemist #1 from Hunter’s Moon Experience #6, page 16, panel 5.


ALCHEMIST #1 (arrogant and serious)

WE ARE WHAT WE ARE AND DISCOVERING THE ART OF TRANSMUTATIONS OF ELEMENTS FROM ONE THING TO ANOTHER AND THE CREATING OF FUSING TWO SPECIES INTO A HYBRID, A CHIMERA OF ADVANCED GENETICS, SHOWS THAT WE ARE DIFFERENT TO THE REST OF HUMANITY, SO YES, PERHAPS WE ARE A SPECIES OF OUR OWN BECAUSE OF OUR SUPERIOR KNOWLEDGE.


ALCHEMIST #8 (not shown and word box)

BUT IT DOES EXPLAIN WHY YOU WOULD THINK AN INSANE PLAN LIKE THIS WOULD WORK.


PAGE 4


PANEL 1

A figure in the shadows that’s wearing a black coat and hat, like the one who met Nos, is partly shown. The alchemists are in the background and turn their head to look at this person. Alchemist #1 introduces this man to them revealing that he knows this man. The other alchemist look confused.


ALCHEMIST #1 (arrogant and serious)

IT’S TIME TO SEND MY “PUPPET” TO INFORM THE OTHER PUPPET THAT IT’S TIME TO COME OVER HERE AND COMPLETE HIS TRUE PURPOSE.


ALCHEMIST #4 (a little confused and curious)

WHO IS THIS MAN?


PANEL 2

Elsewhere in the building, in a lighted hallway, two workers are walking next to each other and are talking.


WORKER #1 (chilling)

DID YOU SEE THE GAME LAST NIGHT?


WORKER #2 (a little disappointed)

NO, BECAUSE MY WIFE’S MOTHER WAS STAYING AT OUR HOUSE THAT NIGHT AND HOGGING THE TV TO WATCH SOME CHURCH STATION.


WORKER #1 (chilling)

OOOOOO, YOU POOR INNOCENT MAN. IF ONLY MARRIAGE DIDN’T INCLUDE THE DREADFUL IN-LAWS.


WORKER #2 (a little disappointed)

TELL ME ABOUT IT.


PANEL 3

Back at the alchemists meeting room, the man in the black coat and hat is about to remove his hat to reveal himself.


ALCHEMIST #1 (not shown)

SOMEONE YOU’LL RECOGNIZE, BUT I ASSURE YOU THAT ALL IS NOT WHAT IT SEEMS.


PANEL 4

Back to the workers at the hall way, the backs of the two workers are shown as they turn around to see who’s talking to them and they look scared. One of them gulps.


FATHER JOHNSON (not shown)

YOU SHOULD FOLLOW YOUR MOTHER IN-LAW’S EXAMPLE IF YOU WANT TO SAVE YOUR ETERNAL SOUL FROM DAMNATION WHEN YOUR TIME COMES.


PANEL 5

Back at the alchemist’s meeting room, some of the alchemists are surprised to what they see, except Alchemist #8 who looks like he expected this.


ALCHEMIST #3 (shocked)

IT CAN’T BE HIM.


PANEL 6

An annoyed Father Johnson walks pass the two scared workers who move out of his way.


WORKER #1 (nervous and low tone)

OH, HELLO, FATHER JOHNSON.


PAGE 5


PANEL 1

Back at the alchemists meeting room, the man in the black coat is revealed to be Father Johnson.


ALCHEMIST #4 (not shown)

FATHER JOHNSON? HE’S WORKING FOR YOU?


PANEL 2

Alchemist #8 is the main focus and is looking towards the direction where the man in black is.


ALCHEMIST #8 (concern, serious, and a little annoyed)

THAT ISN’T FATHER JOHNSON, BECAUSE THE REAL ONE FIRMLY BELIEVES THAT WE ARE MINIONS OF THE DEVIL SO MUCH THAT THERE’S NO WAY ALCHEMIST #1 COULD CONVINCE HIM TO WORK WITH US AT THIS LEVEL.


ALCHEMIST #8 (concern, serious, and a little annoyed)

THE ONLY REASON THAT FANATICAL PRIEST STAYS HERE IS TO HOPE TO TAKE US DOWN WITH THE POWER OF GOD AND NOTHING MORE.


PANEL 3

Alchemist #1 is the main focus.


ALCHEMIST #1 (amused and arrogant)

IT WOULD APPEAR THAT DESPITE YOUR IGNORANCE, YOU STILL RETAIN SOME WISDOM TO NOTICE THESE KINDS OF THINGS.


ALCHEMIST #8 (not shown)

MORE THEN WHAT YOU’RE WILLING TO ADMIT FOR THE SAKE OF YOUR EGO.


PANEL 4

Another view of the Father Johnson in black in the background, while the alchemists are shown in front.


ALCHEMIST #1 (amused and arrogant)

NO, THIS ISN’T THE SO CALLED RIGHTEOUS FATHER JOHNSON, BUT A HOMUNCULI, AN ALCHEMICAL ANDROID YOU COULD SAY, THAT IS PATTERN AFTER HIM IN BODY AND PERSONALITY TO CREATE A PERSON THAT NOS WOULD BELIEVE COULD MANIPULATE FOR HIS OWN END, WHILE IT IS HE WHO’S BEING MANIPULATED BY ME THROUGH THIS THING AND HIS DELUSIONAL DESIRES.


ALCHEMIST #1 (amused and arrogant)

THE FOOL IS WORKING FOR OUR FAVOR BY CREATING A CULT OF VAMPIRES AND LEADING THEM TO THE SLAUGHTER, AND BEST OF ALL, HE DOESN’T SEEM TO CARE.


PANEL 5

The homunculi Father Johnson puts his hat back on as he walks away from the alchemists to accomplice his given mission.


ALCHEMIST #8 (concern and serious)

THIS PLAN STILL SOUNDS RECKLESS AND MANY THINGS CAN GO WRONG.


ALCHEMIST #8 (concern and serious)

IT’S NOT TOO LATE TO PULL BACK.


ALCHEMIST #1 (annoyed and arrogant)

ENOUGH OF THIS, NOTHING WILL GO WRONG WITH MY PLAN.


PAGE 6


PANEL 1

The holding room of the werewolves, the keeper enters the room with a cart with robes. The keeper whistles a song.


PANEL 2

The keeper is about to open a well enforced door with a key.


PANEL 3

Same as panel 3, but the door in now open and a naked and sitting on the floor while leaning on the wall on the side Sam is shown who looks drowsy.


SAM (a little drowsy and smiling a little)

SO, DID I DO ANYTHING LAST NIGHT THAT I SHOULD REGRET?


PHIL (not shown)

I HEARD THAT YOU GOT BLOOD ON JULIE’S SHINY ARMOR.


SAM (a little drowsy and smiling a little)

OK, BUT SERIOUSLY, IS THERE ANYTHING I SHOULD REGRET?


PANEL 4

All the others are out and in robes.


PANEL 5

In front, Sam is partly shown, while in the background is Sandy. They look at each other without saying a word.


PANEL 6

Same as panel 5, but Sandy looks away in disgust as she walks away, while looks way as well with her eyes going up.


SAM (slightly in disbelief and low tone)

GIVE ME A #$%^EN BREAK.


PAGE 7


PANEL 1

Doctor Williams is alone walking a somewhat lighted hallway while looking at some papers on a clip board.


DOCTOR WILLIAMS (focused and low tone)

LET’S SEE, WE’RE GOING TO HAVE TO MAKE SOME MODIFICATIONS ON THAT FORMULA IF WE PLAN TO GET IT WORKING AND ALSO….


PANEL 2

Doctor Williams acts like he notices someone.


DOCTOR WILLIAMS (a little confused)

HELLO, IS SOMEONE THERE?


PANEL 3

As if looking thru Doctor Williams’ eyes, the back of the homunculi Father Johnson is partly shown as he walks away and ignores Doctor Williams.


DOCTOR WILLIAMS (not shown)

EXCUSE ME, ARE YOU SUPPOSE TO BE HERE? HELLO?


PANEL 4

In front, a part of the homunculi Father Johnson arm is shown, while in the background, Doctor Williams follows.


DOCTOR WILLIAMS (upset)

HEY! I’M TALKING TO YOU! WHO THE HELL ARE YOU?!


PANEL 5

Doctor Williams is still after the mysterious man. A sound of a door opening is heard.


DOCTOR WILLIAMS (upset)

HEY, PAL, DON’T YOU BE IGNORING ME!


DOCTOR WILLIAMS (upset)

I’LL HAVE YOU KNOW THAT I CAN GET SOME SECURITY GUARDS TO COME OVER HERE AND HAVE THEM KICK YOUR #$$ FOR PISSING ME OFF!


PANEL 6

A side door to the outside is shown to have been open and hasn’t yet closed. Daylight is shown.


PANEL 7

Doctor Williams’ mouth is shown and gives off a grin for some odd reason.


PAGE 8


PANEL 1

Cindy and Alice are walking in the city. There are other people there walking by. Cindy looks moody and Alice notices this.


ALICE (concern and serious)

SOMETHING IS BOTHERING YOU.


CINDY (moody)

FOR THE HUNDREDTH TIME, ALICE, THERE’S NOTHING WRONG.


ALICE (concern and serious)

GUESS WHAT, CINDY? I’M NOT A COMPLETE IMBECILE, AND THE WAY YOU LOOK, WALK, AND TALK PROBABLY TELLS EVEN THESE BYSTANDERS WALKING BY THAT SOMETHING IS BOTHERING YOU.


ALICE (concern and serious)

SO GIVE.


PANEL 2

Alice is partly shown, while Cindy gives her an ugly look for an answer.


ALICE (spooked and partly shown)

OK, GEEZ, I’LL DROP THE SUBJECT IF IT’S GOING TO MAKE YOU GET REAL UGLY ON ME.


PANEL 3

Alice notices something and points at it in a cheery way. The moody Cindy notices this and is willing to give Alice her attention.


ALICE (a little excited)

HEY, THERE’S THAT HAUNTED CORPORATE BUILDING.


CINDY (moody and a little confused)

HAUNTED WHAT?


PANEL 4

The backs of Cindy and Alice are shown as they look at the Applimax building across the street in the background. Some bystanders are walking by.


ALICE (a little excited)

THIS PLACE HAS A LOT OF RUMORS OF STRANGE THINGS HAPPENING THAT CAN’T BE EXPLAINED.


CINDY (moody and slightly in disbelief)

OK.


ALICE (a little confused)

NO, I’M SERIOUS; I HAD A FRIEND WORK THERE ONCE.


PANEL 5

(PAST SCENE) A guy in his late teens/early twenties is inside the Applimax building at night as a night watchman with a flashlight.


ALICE (not shown and word box)

HE WAS A NIGHT WATCHMAN THERE AND WAS DOING THIS DAILY ROUTINES AS ALWAYS, EASY MONEY.


CINDY (not shown and word box)

SO DOES THIS “FRIEND” HAVE A NAME?


ALICE (not shown and word box)

OH’ IT’S EDDIE.


PANEL 6

(PAST SCENE) A close look at Eddie with the flashlight as he shows an expression that says that he notices something unusual. Some slight foot step noises and what sounds like growling is heard.


ALICE (not shown and word box)

OK, SO, HE WAS WALKING BY A HALLWAY WHEN HE HEARD STRANGE NOISES AROUND THE CORNER AND BEING THE NIGHT WATCHMAN HE HAD TO CHECK IT OUT.


PAGE 9


PANEL 1

(PAST SCENE) A shadow of a werewolf is shown on the wall that’s running away and Eddie, not knowing what danger he was in, runs after it.


ALICE (not shown and word box)

HE DIDN’T EXACTLY KNOW WHO IT WAS, BUT HE THOUGHT SOMETHING WAS WEIRD ABOUT THE SHADOW THAT THE GUY HE WAS CHANCING, LIKE HE HAD A SNOUT OR SOMETHING, BUT HE WASN’T REALLY SURE SINCE THE GUY WAS MOVING SO FAST.


EDDIE (demanding and loud)

HEY, YOU! HOLD IT RIGHT THERE AND IDENTIFY YOURSELF!


PANEL 2

(PAST SCENE) Eddie enters another hallway and sees a busted thru door that tells him that someone went in.


ALICE (not shown and word box)

AND THINGS CONTINUED TO GET WEIRDER.


EDDIE (confused and low tone)

WHAT THE HELL?


PANEL 3

(PAST SCENE) Eddie now has his wire shooting “taser” out like it’s a gun while he’s about to peek in thru the entrance.


ALICE (not shown)

BUT HE ASSURED ME THAT THEY MADE SURE HE WAS WELL EQUIPPED AND TRAINED TO HANDLE THE SITUATION.


PANEL 4

Same as panel 3, but Eddie looks at his “weapon” which displeases him because of the situation.


EDDIE (worried and displeased)

I AM SO @#$%ED.


PANEL 5

(PAST SCENE) The inside of the room is shown, as well as the busted thru doorway. The nervous Eddie peeks in to see if anyone’s there.


ALICE (not shown and word box)

SO HE’S LIKE READY TO GO IN AND APPREHEND THE INTRUDER, BECAUSE IT WAS HIS JOB, WITH HIS WEAPON READY.


EDDIE (nervous and demanding)

IF ANYONE’S IN THERE, PLEASE SLOWLY COME OUT WHERE I CAN SEE YOU WITH YOUR HANDS UP.


PANEL 6

(PAST SCENE) In front, a part of the Sam werewolf is shown running off, while in the background, Eddie notices this in shock, but doesn’t really know what he saw! He points his taser at the Sam werewolf’s direction! There is office furniture in the room.


ALICE (not shown and word box)

NOW HERE’S THE GOOD PART, HE COULD HAVE SWORN HE SAW WHITE FUR ON THE GUY.


EDDIE (surprised, loud, and a little confused)

HEY!.... HOLD IT!.... I MEAN “FREEZE”!


PAGE 10


PANEL 1

Back to the present, Cindy becomes less moody and more interested because of what the white fur could mean.


CINDY (suspicious and interested)

WHITE FUR?


ALICE (not shown)

THAT’S WHAT EDDIE SAID HE SAW.


PANEL 2

(PAST SCENE) The back of the Eddie is shown while he points his taser in a nervous way, while in the background the Sam werewolf is barely shown behind the office furniture while it moves around. Some mild growls are heard.


ALICE (not shown and word box)

SO HE’S THERE ALONE WITH AN INTRUDER WHO COULD BE SOME NUTCASE WITH A LONG LIST OF VICTIMS.


EDDIE (nervous and trying to be brave)

HEY, PAL, DON’T MESS WITH ME! I…. I KNOW HOW TO USE THIS THING!


PANEL 3

(PAST SCENE) The partly shown savage Sam werewolf attacks the startle Eddie who shoots his taser, where two wires come out, while dunking! The two wires miss!


EDDIE (loud and scared)

@#$%!!!


PANEL 4

(PAST SCENE) In the background, the on the floor and confused Eddie watches the partly shown Sam werewolf, the legs, run off again thru the busted thru doorway! He still doesn’t get a good look at the “intruder”!


PANEL 5

(PAST SCENE) Eddie congers up enough courage to come out of the room to go after the intruder!


PANEL 6

(PAST SCENE) Eddie is now in a big room with office tables and cardboard walls. He sees the Sam werewolf, but still can’t get a good look at it to tell what it is. Moonlight from the windows provides the light in the room. Ralph has his taser ready.


ALICE (not shown and word box)

AND SADLY FOR HIM IT WAS THE KIND OF NUTCASE WHO WOULDN’T HOLD STILL.


EDDIE (scared, trying to be brave, and low tone)

@#$%! @#$%! @#$%! I SO DO NOT WANT TO DIE AS A MINIMUM WAGE NIGHT SECURITY GUARD!


PAGE 11


PANEL 1

(PAST SCENE) Eddie carefully walks towards where the Sam werewolf is and is ready to use the taser.


EDDIE (nervous and careful)

OK, I CAN DO THIS…. I’M THE ONE WITH THE…. UM…. “WEAPON”…. AND THAT MEANS I’M THE ONE IN CONTROL OF THE SITUATION.


PANEL 2

(PAST SCENE) Eddie is about to see what he was after.


PANEL 3

(PAST SCENE) Suddenly, Eddie dunks as an office chair goes towards him!


PANEL 4

(PAST SCENE) Outside the building, upper levels, the office chair dramatically goes thru the window! The full moon is shown in the sky.


PANEL 5

(PAST SCENE) From below, an old woman who’s been walking her poodle looks up in shock!


PANEL 6

(PAST SCENE) The scared Eddie is on the floor and on his butt, but he uses his two legs and free arm to move backwards to get away from the threat! He uses the other arm to aim the taser at the direction where the threat is!


ALICE (not shown and word box)

EDDIE TOLD ME THAT HE WASN’T SCARED ONE BIT, BUT THE WAY HE BRAGGED ABOUT IT; YOU COULD TELL THAT HE WAS PROBABLY CLOSE TO WETTING HIMSELF.


PAGE 12


PANEL 1

(PAST SCENE) Eddie’s back is against a wall and he uses it to get up while still aiming his taser!


ALICE (not shown and word box)

AND THEN IT HAPPEN, SOMETHING YOU WOULD NEVER EXPECT TO HAPPEN, AN EVENT THAT’S SO UNBELIEVABLE THAT EVEN IF YOU SAW IT WITH YOUR OWN EYES, IT WOULD BE TOO FANTASTIC FOR YOUR MIND TO EXCEPT.


CINDY (not shown and word box)

EDDIE SAID THAT?


PANEL 2

(PAST SCENE) A part of the Sam werewolf is shown, not the head, and gets up and the shocked Eddie sees it.


ALICE (not shown and word box)

WELL, MAYBE NOT AS DRAMATIC AS I SAY IT, BUT MY WAY SPICES UP THE STORY.


PANEL 3

(PAST SCENE) Same as panel 2, but Eddie gets it in the head by the end of a silver knight’s staff and has his eyes up as he starts to fall to the floor unconscious!


ALICE (not shown and word box)

WELL, BEFORE HE COULD TELL WHAT IT REALLY WAS, HE SUDDENLY LOST CONSCIOUSNESS FOR SOME REASON.


EDDIE (dazed and losing conscious)

DUH.


PANEL 4

Back to the present, Cindy and Alice are still where they were when Alice started the story.


ALICE (a little excited)

THE NEXT THING HE KNEW, HE WOKE UP WITH A PINK SLIP AND WAS TOLD THAT THEY HAD TO DOWNSIZE TO KEEP UP WITH PROFIT, NO EXPLANATION THAT REALLY EXPLAINED WHY, BUT HE DID SEEM TO RECALL A LOOK AT THE INTRUDER….


PANEL 5

A part of Alice is shown and Cindy is next to her. One of Cindy’s eyebrows goes up after hearing what her cousin says.


ALICE (partly shown and a little excited)

AND HE COULD HAVE SWORN THAT IT LOOKED LIKE A WOLF…. ONE WHICH WAS STANDING ON IT’S OWN TWO FEET.


PANEL 6

A distant look at the two, also there are more bystanders walking by.


CINDY (chilling)

SO THIS EDDIE, IS HE THE DRIVER FROM LAST NIGHT.


ALICE (a little excited)

WHY YES, YES HE WAS!


CINDY (thought balloon and chilling)

WELL, I GUESS THAT EXPLAINS THE WONDERFUL PERSONALITY HE HAD DURING THE DRIVE.


PAGE 13


PANEL 1

The front of the Applimax building is shown.


ALICE (not shown)

IF YOU ASK ME, HE GOT FIRED FOR FOOLING AROUND ON THE JOB AND MADE UP THAT UNBELIEVABLE STORY TO KEEP HIS PRIDE, ALTHOUGH HE COULD HAVE MADE A MUCH BETTER ONE THEN THAT CORNY GHOST STORY.


PANEL 2

Alice walks ahead with her back shown and Cindy waits while looking at the direction where the Applimax building is.


ALICE (cheery)

WELL, ON TO OTHER THINGS THAT DON’T SUCK AND GET IN THE WAY OF OUR FUN, UNLESS YOU’RE PLANNING TO BE MOODY ALL DAY.


CINDY (thought balloon and suspicious)

I FOUND YOU!


PANEL 3

(PAST SCENE) A scene from Hunter’s Moon Experience #6, page 20, panel 2.


EDWARD (depressed)

GOODBYE, CINDY.


PANEL 4

A closer look at the front of the Applimax building.


CINDY (not shown and thought balloon)

NO IT ISN’T, EDWARD, BECAUSE I BELIEVE I KNOW WHERE YOU ARE!


PANEL 5

Alice is still walking away, while Cindy starts to follow while giving one more glimpse at the direction where the Applimax building is.


CINDY (thought balloon and suspicious)

NOW ALL I HAVE TO DO IS FIGURE OUT HOW I’M GOING TO GET TO YOU WITHOUT PUTTING MYSELF IN SERIOUS DANGER BY THOSE PEOPLE WHO YOU SAY ARE DEADLY AND PERHAPS MERCILESS.


PANEL 6

Detective Johnson and Officer Rick are near by and in their car. Detective Johnson acts like looking at the Applimax building helps him think. In the far background, Cindy is walking away.


CINDY (word box)

AND I HAVE NO DOUBT THAT CALLING THE POLICE WILL JUST MAKE THINGS THAT MUCH HARDER, SINCE THE STORY IS TOO UNBELIEVABLE FOR THEM TO ACT, EVEN IF I HAD A LITTLE EVIDENCE, BECAUSE IT WOULD BE LIKE SAYING THAT THE SUPERNATURAL EXISTS WHICH WOULD LOOK LIKE SOME KIND OF PRANK.


PAGE 14


PANEL 1

At the warehouse where Nos’ vampires are at. It’s still day time.


PANEL 2

Inside the part of the building where the humans were dragged into for the feeding, a lot of bloodstains are on the floor.


PANEL 3

Feather is in the same area that she was when she saw it. She’s leaning on a wall and looking away while acting like she’s in shock in a depressing way.


FEATHER (thought balloon and depressed)

HOW COULD I HAVE NOT EXPECTED SOMETHING LIKE THIS?


PANEL 4

(PAST SCENE) the humans from last night are being attacked by the vampires for their blood inside the warehouse!


FEATHER (not shown and word box)

IT SHOULD HAVE BEEN EVIDENT ENOUGH THAT THE FOLLOWERS WERE FROM ADDICTS TO PSYCHOS THAT SOMETHING LIKE THIS WAS BOUND TO HAPPEN, ESPECIALLY SINCE NOS IS THE WORSE OF THE BUNCH BY FAR AND LEADING THEM TO DO THINGS LIKE THIS.


PANEL 5

Feather’s mouth is shown and the fangs are somewhat shown.


FEATHER (mouth only shown, thought balloon, and depressed)

THE FACT IS THAT BEING VAMPIRES MAKES US LIKE WILD ANIMALS, EVEN IF A FEW OF US WANT TO BELIEVE OTHERWISE, WHICH MEANS THAT WE’RE DRIVEN BY INSTINCTS AND CRAVINGS THAT CAN SOMETIMES OVERCOME OUR REASONING.


FEATHER (mouth only shown, thought balloon, and depressed)

MAYBE THOSE POOR PEOPLE CAN GET SOME RETRIBUTION THROUGH THAT WARNING I GAVE THAT KID ABOUT THE COMING INVASION OF THEIR HOME TURF, BUT I HAVE TO KEEP GOING IF I’M TO GET MY REVENGE ON THE ONE WHO STARTED ALL THIS, WHO IS RESPONSIBLE FOR RUINING MY LIFE AND CHANCE FOR HAPPINESS.


PANEL 6

Feather’s eyes are shown as she turns them to the sound she now hears which is a door being opened.


PAGE 15


PANEL 1

From below, the homunculi Father Johnson is looking down at the bloodstains on the floor, but shows no emotions to it. The black hat covers the head.


FEATHER (not shown and thought balloon)

WHO THE HELL IS THAT? “SNIFF!” SNIFF!” HE SMELLS LIKE A HUMAN, BUT WHY IS HE HERE?


PANEL 2

From above, the suspicious Feather is looking down.


FEATHER (thought balloon and suspicious)

SNIFF!” “SNIFF!” SOMETHING SEEMS TO BE MISSING ABOUT HIM, I CAN’T PLACE MY FINGER ON IT, THOUGH IT’S LIKE HE’S HUMAN, BUT HAS NOTHING TO DO WITH HUMANS.


PANEL 3

The homunculi Father Johnson starts to walk towards a doorway and is showing no fear on the fact that he’s in a warehouse of vampires.


FEATHER (not shown and thought balloon)

HE’S HEADING TOWARDS WHERE NOS IS AND WALKS IN A FASHION THAT SAYS THAT HE MIGHT KNOW WHERE HE’S GOING.


FEATHER (not shown and thought balloon)

COULD HE BE THE CONTACT THAT NOS MENTION AT THE MURDER SCENE OF THAT THEATRE?


FEATHER (not shown and thought balloon)

SNIFF!” “SNIFF!” WHAT’S MISSING ABOUT THAT GUY AND WHY AM I BEGINNING TO FEEL THAT I SHOULD FEEL TERRIFIED FOR MY OWN LIFE?!


PANEL 4

The eyes of the homunculi Father Johnson are shown underneath the hat and they seem to be cold, but filled with determination.


FEATHER (not shown and word box)

IS IT POSSIBLE THAT NOS IS MAKING A DEAL WITH THE DEVIL HIMSELF?


PANEL 5

The homunculi Father Johnson is now in the room where Nos is. Nos is sitting on his chair and looks pleased to seeing this man, while the other vampires there seem threaten by him.


PAGE 16


PANEL 1

One of the vampires acts in a savage kind of way!


VAMPIRE #1 (loud, hungry, and savage)

HUMAN!!!


PANEL 2

The right side of the vampire is next to the left side of the homunculi Father Johnson. The vampire still shows his savage hunger, while the Homunculi Father Johnson shows no fear and just stands there as if he knows that the vampire will be stopped!


NOS (not shown, loud, and demanding)

STOP!


PANEL 3

A close view of the sitting Nos.


NOS (crazy and amused)

THIS HUMAN IS NOT TO BE DINED ON BECAUSE OF WHAT HE CAN OFFER WHICH IS JUST AS GOOD AS BLOOD.


VAMPIRE #2 (low tone and confused)

AS GOOD AS BLOOD?


PANEL 4

The part of the back of the head of Vampire #1 is shown, while in front of him is the homunculi Father Johnson.


HOMUNCULI FATHER JOHNSON (serious, mysterious, and unimpressed)

I SUGGEST YOU THINK ABOUT PRACTICING, FILTHY CREATURE, BECAUSE YOUR PERFORMANCE WAS ANYTHING BUT INTIMIDATING.


PANEL 5

The side/back of the homunculi Father Johnson is shown on the right side of the panel, while Nos is sitting in the background of the left side. Vampire #1 walks away hissing at homunculi Father Johnson for that remark.


NOS (crazy, amused, and excited)

COME ON! DO IT! GIVE ME THE WORDS THAT I’M SO EXCITABLY WAITING FOR TO HEAR!


HOMUNCULI FATHER JOHNSON (serious, mysterious, and unimpressed)

THE TIME TO ACT IS NOW, SO READY YOUR TROOPS AND HEAD TOWARDS YOUR ENEMY’S HOME GROUND, BECAUSE A PATH LEADING TO THE INSIDE WILL BE READY AND PREPARED SO TO PROVIDE YOU WITH THE ADVANTAGE.


NOS (crazy, amused, excited, and loud)

YES!


PAGE 17


PANEL 1

The left side of the head and shoulders of homunculi Father Johnson is shown, as he straightens his hat with one hand as he is about to leave.


HOMUNCULI FATHER JOHNSON (serious, arrogant, and mysterious)

AFTER YOU ARE FINISHED MAKING THOSE SINNERS PAY FOR THEIR CRIMES AGAINST THE LORD, OUR TEMPORARY, AND ANNOYING, TRUCE WILL FINALLY COME TO AN END.


HOMUNCULI FATHER JOHNSON (serious, arrogant, and mysterious)

I SHALL BE FREE TO DO GOD’S WILL AND EXTERMINATE YOUR KIND FROM THE FACE OF THE EARTH.


PANEL 2

The right side of the head and shoulders of the sitting Nos is shown. Some confused vampires are shown in the background on why their master is making deals with a man who so freely admits that he’s an enemy.


NOS (crazy and amused)

YEAH, YEAH, YEAH, I BET YOU’RE SUCH A GOOD GOD’S BOY THAT HE WORSHIPS YOU BACK.


PANEL 3

The homunculi Father Johnson walks away, while the sitting Nos and his minion vampires are in the background.


HOMUNCULI FATHER JOHNSON (serious, arrogant, and mysterious)

I’LL REMEMBER YOU SAID THAT WHEN I STRIKE MY RIGHTEOUS BLADE THROUGH YOUR HEART.


PANEL 4

Same as panel 3, but the homunculi Father Johnson is gone. Nos sticks out his tongue like a child.


PANEL 5

The homunculi Father Johnson is now back in the area where the big bloodstain is.


PAGE 18


PANEL 1

The homunculi Father Johnson turns his head up to look at Feather’s direction.


PANEL 2

From above is Feather who’s shocked that the stranger with the strange scent notices her.


PANEL 3

As if the vampire woman leaves no interest for the homunculi Father Johnson, he quietly walks away.


PANEL 4

Outside the building at a distance, homunculi Father Johnson leave thru a door. It’s still day time.


PANEL 5

The homunculi Father Johnson is now a few blocks away from the warehouse.


PAGE 19


PANEL 1

The homunculi Father Johnson starts to act ill as he continues to walk.


PANEL 2

The homunculi Father Johnson seems to be getting worse as he walks into an alley to possibly hide from prying eyes.


PANEL 3

A moan of sickness comes from the homunculi Father Johnson as he wraps his arms around his stomach as if he was sick there!


PANEL 4

A close look at the homunculi Father Johnson’s head as he starts to melt as if his usefulness has come to an end and he’s self-destructing. He tries to bring out his voice, but barely manages to succeed.


PANEL 5

On the ground is the homunculi Father Johnson’s black clothing and goo coming out of it that used to be a solid person.


PANEL 6

Some of the goo manages to reach a streets grill that leads to the sewers.


PAGE 20


PANEL 1

The sewer is shown and the shadows of Nos and his followers are shown as this is a way to get to the Applimax building during daylight.


NOS (not shown)

THIS IS IT MY FAITHFUL FOLLOWERS!


PANEL 2

Nos and some of his followers are shown. Nos is of course the one leading the rest.


NOS (amused and crazy)

THIS IS WHERE WE RECEIVE OUR JUST AWARD FOR WAITING FOR SO MANY YEARS THAT GREATLY OUTNUMBERS A HUMAN’S LIFESPAN AND SOON THAT LIFESPAN WILL BECOME EVEN SHORTER ONCE WE BECOME THEIR RIGHTFUL MASTERS BECAUSE OF OUR OBVIOUS SUPERIORITY!


VAMPIRE FOLLOWER #1 (excited)

THE HUMANS WILL LEARN THEIR TRUE PLACE IN THINGS WHICH IS FOOD AND SERVITUDE!


VAMPIRE FOLLOWER #2 (excited)

WE’RE WITH YOU, MASTER!


PANEL 3

Feather is at the end of the crowd of vampires and is somewhat keeping her distance. She hates being in the sewer because of the smell and gunk.


FEATHER (thought balloon and disgusted)

UGH! THIS PLACE IS DISGUSTING AND I’M FORCED TO LISTEN TO THE BUTT KISSING YAPPING OF THOSE WEAK-WILLED FOLLOWERS WHILE FEELING MY NOSE BURN OFF FROM THE SMELL!


FEATHER (thought balloon and disgusted)

SOMETHING I WOULDN’T WISH FOR MY WORST ENEMY!


PANEL 4

A part of the back/side of Feather’s head as she looks at the others in front of her in the background.


FEATHER (thought balloon and serious)

EXCEPT OF COURSE FOR THE ONE WHICH IS THE REASON I’M WITH THIS “CULT”. THE LAST THING I WANT IS SOMETHING GOOD TO HAPPEN TO HIM, IN FACT, I WANT TO MAKE SURE THAT THE WORST THING POSSIBLE WILL HAPPEN TO HIM….


PANEL 5

A close look at the grinding fanged teeth of the angry Feather’s!


FEATHER (mouth only shown, thought balloon, and angry)

AS WELL AS MAKE IT AS SLOW AS POSSIBLE SO HE’LL KNOW WHY IT’S HAPPENING!


PANEL 6

Another view of Nos and his followers.


NOS (amused, crazy, and excited)

ONWARD, MY FAITHFUL FOLLOWERS!


NOS (low tone)

SNIFF!” “SNIFF!” MAN, THIS PLACE SMELLS.


PAGE 21


PANEL 1

Edward is walking in a hallway.


PANEL 2

Sam and Ralph are shown smoking in the hanger.


PANEL 3

James is in his living quarters reading a book.


PANEL 4

Sandy is in the church part of the building and is on her knees praying as hard as she can. Father Johnson is standing next to her with a stick to use if he sees any flaws in her praying.


PANEL 5

Doctor Williams is in a lab with some assistants.


PANEL 6

Mister Adams is sitting at his desk in his normal office, while the standing Miss Carson hands him some papers to look at and sign.


PAGE 22


PANEL 1

At the alchemists meeting room, Alchemist #1 is alone and sitting at his seat. There’s a little light there.


ALCHEMIST #1 (amused and arrogant)

AND SO BEGINS THE SOLVING OF THE GREAT PROBLEM, THE SOLUTION OF THE SECURITY OF OUR PRECIOUS SECRETS THAT IS OURS AND OURS ALONE.


PANEL 2

Alchemist #8 is barely shown as he hides from Alchemist #1’s sight. He looks concern and serious about this. A madman’s laughter is heard.


TO BE CONTINUED