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Lycanthropy Cursed

“Howl to the Moon”

(2 of 6)

By

Brian Uhe


PAGE 1


PANEL 1

The full moon is shown up in the night sky.


PANEL 2

Somewhere in town, the teenage girl from the ending of issue #1 is shown and she hasn’t yet notices Eric walking towards her.


PANEL 3

The teenage girl is surprised by Eric’s voice.


ERIC (not shown and a jerk)

HEY, BABY, BEEN WAITING LONG FOR ME?


PANEL 4

The right side of the unimpressed teenage girl is shown, while Eric, who thinks he’ll get lucky, is on her left.


TEENAGE GIRL (annoyed and unimpressed)

AS IF!.... I’LL HAVE YOU KNOW THAT THE REAL REASON I’M HERE IS TO WAIT FOR MY “BOYFRIEND” TO ARRIVE.


PANEL 5

Eric’s hand is shown touching the teenage girl’s chin, while the teenage girl’s facial expression is saying that this jerk is going too far.


ERIC (hand only shown and a jerk)

WOULDN’T A HOT-LOOKING LADY LIKE YOU PREFER A “REAL” MAN INSTEAD?


TEENAGE GIRL (angry and feeling violated)

YOU’RE NOT A MAN; YOU’RE A “PIG”, JUST LIKE THE REST OF YOU’RE SO CALLED FRIENDS!


PAGE 2


PANEL 1

Eric still has a hold of the teenage girl’s chin and uses it to get her closer to him. The teenage girl now looks scared. Eric is grinning.


ERIC (a jerk and forceful)

LOOKS LIKE SOMEONE NEEDS TO BE DISCIPLINED IN THE WAYS OF RESPECTING OTHERS!


BOYFRIEND (not shown, really angry, and loud)

HEY!


PANEL 2

The angry boyfriend is shown pointing! He is slightly overweight and looks like he plays football. He’s walking angrily.


BOYFRIEND (really angry)

YOU GET YOUR DAMN HANDS OFF HER!


ERIC (not shown and a jerk)

AND NOW THE HERO HAS COME TO SAVE THE DAY.


PANEL 3

Eric is just standing there with his arms somewhat open wide to show the boyfriend that he doesn’t fear him. The boyfriend looks like he wants to beat the hell out of Eric for messing with his girlfriend. The teenage girlfriend looks like she afraid this will end in a bad way since Eric is like a psycho.


ERIC (a jerk, grinning, and confident)

OR MAYBE I WOULD BE THE HERO IF I TOOK HER WAY FROM A DUMB APE LIKE YOU.


PANEL 4

The angry boyfriend throws a punch at Edward, but Eric easily dodges it!


ERIC (a jerk, grinning, and confident)

FOR SOMEONE WHO CALLS HIMSELF AN ATHLETE, YOU’RE REALLY SLOW!


BOYFRIEND (really angry and frustrated)

SHUT UP!


PANEL 5

Eric punches the boyfriend in the stomach! The shocked boyfriend looks like he going to hurl!


PAGE 3


PANEL 1

Eric walks away with his hands in his pants’ pockets. The teenage girl is kneeling down to her boyfriend who’s on all fours with his head down because of the pain.


ERIC (a jerk, disappointed, low tone, and talking to himself)

JEEZ, HE WENT DOWN AFTER ONE PUNCH. NO WONDER WE’VE BEEN LOSING A LOT.


ERIC (a jerk)

YOU KNOW, GIRL, FORGET YOU….


PANEL 2

The teenage girl has her hand on her suffering boyfriend’s back, as she looks in Eric’s direction with an angry face.


ERIC (not shown and a jerk)

BECAUSE THIS TASTE IN GUYS WHO TURN OUT TO BE LOSERS OF YOURS IS A REAL TURN OFF!


PANEL 3

Eric is walking towards his 442.


PANEL 4

Edward the savage Lon Chaney Jr. werewolf is partly shown within the trees near the town where Eric is. The creature is showing animal-like athletic ability as he eagerly heads towards his prey!


PANEL 5

Eric is now next to his 442 and has his hand on the door opener. He turns his head as if he senses something, but isn’t sure.


ERIC (suspicious and low tone)

EH?


PANEL 6

The front of the 442 is shown as the headlights are on and the motor is heard.


ERIC (not shown, low tone, and from the car)

EH.


PAGE 4


PANEL 1

The back of the savage Lon Chaney Jr. werewolf is shown crouching down and is partly covered with shadows. It watches the 442 drive away from the buildings of the town which is in the background.


PAGE 5


PANEL 1

The 442 is shown being driven on a road.


PANEL 2

Inside, Eric is shown driving the car with his right hand, while using the other to keep the head up with having the elbow on the door for support. Heavy metal music is being heard from the car’s radio.


PANEL 3

(COLOR BLIND SCENE) As if looking thru the eyes of the werewolf, the creature quickly moves towards the moving 442 from behind at animal-like speed! The heavy metal music is somewhat heard!


PANEL 4

Inside the car, Eric looks up after a big thump is heard and felt from the roof!


ERIC (surprised and annoyed)

WHAT THE #%@%….?!


PANEL 5

To his surprise, Eric sees an upside down savage Lon Chaney Jr. werewolf in front of his view! Eric screams in fear! The werewolf roars!


PAGE 6


PANEL 1

The 442 is going out of control on the road, because of the savage Lon Chaney Jr. werewolf on it!


ERIC (not shown, shocked, loud, and from the car)

OH’ $#%#!!!


PANEL 2

The savage Lon Chaney Jr. werewolf is thrown of the out of control 442!


PANEL 3

The savage Lon Chaney Jr. werewolf rolls on the pavement of the road in a dramatic way!


PANEL 4

The dazed and savage Lon Chaney Jr. werewolf starts to get up, while the light from the 442 is shining the scenery!


PANEL 5

The savage Lon Chaney Jr. werewolf, just got up and is looking at the car. A safety grill is shown behind the werewolf, because a steep hill is behind it!


ERIC (not shown and word box)

GREAT COSTUME…. AND IT’S A GOOD THING THAT IT IS.


PAGE 7


PANEL 1

As if looking thru Eric’s eyes, both his hands on the steering wheel and the savage Lon Chaney Jr. werewolf is shown thru the wind shield!.


ERIC (hands only shown, angry, direct, and a jerk)

BECAUSE I’M GOING TO MAKE SURE YOU DIE IN IT!


PAGE 8


PANEL 1

Eric’s hand is shown turning the volume dial on his car radio to make the heavy metal music louder!


PANEL 2

One of the back wheels is shown moving a great speed, while making a streaking noise! The loud heavy metal music is heard!


PANEL 3

The fast moving 442 is shown on the right, while the savage Lon Chaney Jr. werewolf is shown on the left! The heavy metal music is heard!


PANEL 4

The savage Lon Chaney Jr. werewolf does an inhuman leap over the speeding 442! The heavy metal music is heard!


ERIC (not shown, shocked, loud, and from the car)

HOW THE #%$@ DID HE….?!


PANEL 5

The speeding 442 dramatically goes thru the safety grills and off the edge!


ERIC (not shown, shocked, loud, and from the car)

OH’ $#%# AGAIN!!!


PAGE 9


PANEL 1

The out of control 442 is going down the steep hill thru a lot of trees! The heavy metal music is heard!


ERIC (not shown, loud, angry, from the car, and disappointed)

AH’ DAMMIT! MY CAR!


PANEL 2

The savage Lon Chaney Jr. werewolf above is shown watching! A crash sound is heard!


PANEL 3

The 442 has hit a tree and smoke is coming out the extremely dented hood. Inside the car, Eric’s head is shown lying on the steering wheel. Eric is moaning.


PANEL 4

The dazed Eric gets up. His fore head is bleeding.


ERIC (dazed and hardly aware)

MAN, JOE ‘S GOING TO BE PISSED WHEN HE FINDS OUT WHAT HAPPENED TO THE CAR, ESPECIALLY SINCE I WAS THE ONLY ONE WHO HAD ONE.


PANEL 5

Same as panel 4, but Eric notices a growling noise that tells him that the werewolf has come down to him. Eric looks a little spooked.


PAGE 10


PANEL 1

Eric quickly locks the doors in hopes it will protect him from that psycho!


PANEL 2

The savage Lon Chaney Jr. werewolf appears at the left window of the car and is banging the glass in a savage way! Eric is surprised by this and yells in shock!


PANEL 3

The Lon Chaney Jr. werewolf’s arm is only shown and uses his animal-like strength to punch thru the glass!


PANEL 4

The Lon Chaney Jr. werewolf’s bottom is shown has he reaches in the 442 for his prey! A growl is heard!


ERIC (not shown, terrified, loud, and from the car)

NO!!! GET AWAY FROM ME!!!


PANEL 5

The savage Lon Chaney Jr. werewolf’s hands are shown around the raised Eric’s neck! The terrified Eric looks up in the sky as his life is getting squeezed out!


ERIC (terrified and loud)

SOMEONE HELP ME!!!


PANEL 6

The full moon is shown up in the sky, as well as some tress at the bottom. Eric’s scream of terror is heard!


PAGE 11


PANEL 1

The savage Lon Chaney Jr. werewolf lefts up it’s head and howls! Eric’s dead body is lying next to him on the ground, while the wrecked 442 is in the background!


PAGE 12


PANEL 1

It’s morning and Edward is sleeping on the ground next to his telescope. His father’s legs and feet are shown next to him.


FRANK (legs only shown, low tone, and annoyed)

JEEZ, BOY, HOW PATHETIC CAN YOU GET?


PANEL 2

Edward starts to wake up.


FRANK (not shown, a little loud, and annoyed)

WAKE UP, EDWARD!


EDWARD (drowsy)

WHA….?


PANEL 3

Edwards’s hand is shown getting his glasses that fell off when he changed last night.


FRANK (not shown and annoyed)

I CAN’T BELIEVE YOU SLEPT OUT HERE ALL NIGHT!


FRANK (not shown and annoyed)

WHAT’S WITH YOU, BOY?!


PANEL 4

The drowsy Edward walks towards the direction where the house is and his dad points to that same direction.


FRANK (annoyed and bossy)

NOW GO INSIDE AND GET CLEANED UP FOR SCHOOL, AND MAKE SURE YOU CHANGE YOUR BANDAGE FOR A CLEAN ONE LIKE YOU’RE SUPPOSE TO.


FRANK (annoyed and bossy)

THE LAST THING WE NEED IS FOR YOU TO GIVE US MORE HOSPITAL BILLS BECAUSE YOU’RE NOT RESPONSIBLE ENOUGH TO HAVE THE COMMON SENSE TO COME IN AT NIGHT.


PANEL 5

Edward enters his sci-fi geek room and heads towards the dresser that has a mirror on top.


EDWARD (thought balloon, annoyed, and a little sleepy)

GEE, SO SORRY I’M NOT THE SON YOU ALWAYS WANTED, YA JERK!


PAGE 13


PANEL 1

Edward’s appearance is shown in the mirror as he takes off his shirt to deal with the bandages.


PANEL 2

Edward is starting to take off the bandages.


PANEL 3

Edward’s glasses wearing eyes are shown and they reveal shock because of what he sees.


EDWARD (eyes only shown and surprised)

NO WAY!


PANEL 4

Edward’s left shoulder is shown and the wounds, which he got from that other werewolf, are fully healed. He touches the shoulder with his hand to see if it’s real.


PANEL 5

Edward left side is shown in the background and he is still standing next to the mirror. He turns his head to the left when he hears his mother’s voice.


EDWARD (thought balloon and confused)

THIS CAN’T BE POSSIBLE!


EDWARD (thought balloon and confused)

THERE’S NO WAY A WOUND LIKE THAT COULD HAVE FULLY HEALED BY NOW AND NOT EVEN LEAVE A SCAR!


EDWARD’S MOTHER (not shown and shouting)

EDWARD?.... BREAKFAST IS READY!


EDWARD (confused)

UH’ YEAH, I’LL BE RIGHT DOWN.


PAGE 14


PANEL 1

At school, after lunch, Edward is at his locker getting some books. He hears Cindy.


CINDY (not shown)

EDWARD!


PANEL 2

The back of Edward’s head is shown and Cindy, who is carrying books, is walking towards him in the background.


CINDY (a little shocked)

GREG JUST GOT BACK FROM LUNCH AND YOU’RE NOT GOING TO BELIEVE WHAT HE SAW WHEN HE WAS DRIVING BACK!


EDWARD (curious)

IF IT CAME FROM STRONG-SILENT GREG, THEN IT HAS TO BE SOMETHING BIG.


PANEL 3

Eric’s 442 is shown at the crash spot. There’s a body bag close to it. The sheriff and his deputies are there investigating the situation.


CINDY (not shown and word box)

THE SHERIFF AND HIS MEN WERE THERE WHEN HE WAS HEADING BACK AND HE COULD HAVE SWORN HE SAW ERIC’S CAR AT THE BOTTOM OF THE HILL AT ROUTE 86, AS WELL AS A BODY BAG BEING NEAR IT!


EDWARD (not shown and word box)

I HATE TO SAY THIS, BUT IT’S REALLY NOT THAT SURPRISING THAT SOMETHING LIKE THAT HAPPENED TO ERIC.


EDWARD (not shown and word box)

THE GUY ALWAYS DID DRIVE LIKE A MANIAC.


PANEL 4

Joe is shown walking away from his gang, while Sarah, Alex, and Max seem to be in disbelief that Eric is dead in the background. The crying Sarah is shocked by what Joe says.


EDWARD (not shown and word box)

THAT WOULD EXPLAIN WHY JOE AND HIS FRIENDS HAVEN’T BOTHERED ME TODAY.


JOE (cool, but a jerk, annoyed, also cold hearted)

DAMN, NOW WE DON’T’ HAVE A CAR TO CRUISE AROUND WITH.


JOE (cool, but a jerk, annoyed, also cold hearted)

ERIC COULD HAVE AT LEAST LEAVE THE CAR INTACT, INSTEAD OF ENDING HIS DAYS LIKE HE LIVED THEM, AS A $#%@EN LOSER!


SARAH (mourning and in disbelief)

HOW CAN YOU SAY THAT, JOE?


SARAH (mourning and in disbelief)

ERIC’S DEAD…. DOESN’T THAT MEAN ANYTHING TO YOU?


PANEL 5

Joe turns his head and reveals cold heart eyes which are enough to answer Sarah’s question.


PANEL 6

Alex, Max, and Sarah are surprised by their leader’s lack of compassion.


PANEL 7

Same as panel 6, but Sarah is looking away because she’s afraid of angering Joe.


PAGE 15


PANEL 1

An hour later, the door to the principle office is shown.


SHERIFF (not shown and from principle office)

A WITNESS HAS SAID THAT YOU TWO WERE MESSING WITH ERIC LAST NIGHT AROUND 8:47 NEAR THE DAISY’S CLOTHING STORE.


BOYFRIEND (not shown, angry, and from principle office)

MESSING WITH HIM?! HE WAS MESSING WITH MY GIRLFRIEND!


PRINCIPLE (not shown and from the principle office)

NOW RELAX, SON….


PANEL 2

The sheriff, principle, the teenage girl, and her boyfriend from the beginning of this issue is shown. The principle is sitting behind his desk, while the sheriff is standing. The other two are sitting.


PRINCIPLE (calm)

NO ONES ACCUSING YOU OF ANYTHING. THE SHERIFF JUST WANTS TO ASK YOU A FEW QUESTIONS.


SHERIFF (in charge)

IF YOU’RE AFRAID THAT YOU’RE GOING TO BE ARRESTED FOR HAVING TO HAVE “MESSED” WITH ERIC, THEN DON’T BE, I’M JUST TRYING TO COMPILE ALL THE PIECES OF THE STORY ON WHAT HAPPENED TO THE BOY.


TEENAGE GIRL (a little nervous)

WELL….


PANEL 3

A close look at the teenage girl and the boyfriend is partly shown next to her.


TEENAGE GIRL (a little nervous)

I WAS OUTSIDE WANTING FOR JOHN TO END HIS SHIFT AT WORK SO WE COULD GO OUT TO GET SOMETHING TO EAT, BUT THEN ERIC SHOWED UP AND TRIED TO PUT THE MOVE ON ME, AND IT SEEMED THAT HE WASN’T GOING TO TAKE NO FOR AN ANSWER.


TEENAGE GIRL (a little nervous)

THEN JOHN CAME OUT AND SAW WHAT WAS GOING ON WHICH LED TO A FIGHT.


PANEL 4

A close look at the boyfriend and his girlfriend is partly shown next to him.


BOYFRIEND (a little annoyed)

AND THAT’S ALL THAT HAPPENED. AFTER HE SUCKER PUNCHED ME IN THE STOMACH, HE LOST INTEREST AND LEFT.


SHERIFF (not shown)

AND YOU DIDN’T FOLLOW HIM AFTERWARDS?


BOYFRIEND (a little annoyed)

NO, MAN, I WAS TOO BUSY WONDERING IF I’M GOING TO PUKE OR NOT.


PANEL 5

The sheriff is straightening his hat with both hands.


SHERIFF (in charge)

THAT SHOULD DO FOR NOW.


SHERIFF (in charge)

YOU KIDS CAN GO BACK TO CLASS.


PAGE 16


PANEL 1

The two kids leave the principle office thru the door. The sheriff is looking at the sitting principle.


PRINCIPLE (calm, but a little sad)

IT’S SAD THAT SOMETHING LIKE THIS HAPPENS TO SOMEONE SO YOUNG, BUT ACCIDENTS CAN HAPPEN TO ANYONE AT ANYWHERE.


SHERIFF (in control)

THAT THEY CAN.


PANEL 2

A part of the back of the head of the principle is shown. In the background the sheriff is about to leave thru the door, but is looking at the principle.


SHERIFF (in charge)

I THANK YOU FOR YOUR COOPERATION, MISTER OWENS. IT REALLY MADE THINGS GOES MORE SMOOTHLY IN THE PROCESS.


PRINCIPLE (calm, but a little sad)

YOU’RE QUITE WELCOME, SHERIFF, THOUGH I DO WISH IT WAS UNDER BETTER CIRCUMSTANCES.


SHERIFF (in charge)

AS DO I.


PANEL 3

The sheriff is walking in the empty hallways, because all the students are in class.


SHERIFF (thought balloon and in charge)

I ALSO WISH IT REALLY WAS AN ACCIDENT.


PANEL 4

Joe and his gang are shown in the hall, because they decided to skip class. Joe notices the sheriff and gives him a somewhat mean glare.


SHERIFF (not shown and thought balloon)

BUT HOW DO YOU GET STRANGLED BY THE NECK THROUGH A CAR CRASH?


PANEL 5

The sheriff is now outside. His cell phone is ringing.


SHERIFF (thought balloon and in charge)

THIS WAS MURDER…. AND FROM WHAT I KNOW ABOUT ERIC, IT WAS PROBABLY ALSO REVENGE.


PANEL 6

The sheriff answers his cell phone.


SHERIFF (talking into the cell phone)

HENDERSON HERE.


DEPUTY (not shown and from the cell phone)

THE DOC JUST FINISHED THE AUTOPSY, SHERIFF, AND HE SAYS HE FOUND SOME REALLY STRANGE THINGS FROM THE BODY AND THE STUFF WE COLLECTED FROM THE CRIME SCENE.


SHERIFF (talking into the cell phone)

TELL HIM I’LL BE RIGHT OVER.


PAGE 17


PANEL 1

The sheriff is now at the autopsy room with “Doc” and Eric’s body is on the table with a sheet covering it. Doc is an old man who seems to have a usual personality.


SHERIFF (in charge)

ONE OF MY DEPUTIES SAID YOU HAVE SOMETHING “STRANGE” TO SHOW ME.


DOC (a bit odd)

STRANGE” DOESN’T COME CLOSE TO EXPLAINING WHAT I FOUND.


DOC (a bit odd)

NOW COMPLETE LUNACY COULD PROBABLY COME CLOSE TO REVEALING WHAT I JUST DISCOVERED.


PAGE 18


PANEL 1

The Doc reveals the upper part of Eric’s body by moving the sheet. The sheriff is looking down at it.


DOC (a bit odd)

IT’S AS YOU SAID, THIS KID DIDN’T LOSE HIS LIFE FROM LOUSY DRIVING, BUT HAD HIS YOUNG PUNK LIFE STRANGLED OUT OF HIM BY SOMEONE WITH A FIRM GRIP.


DOC (a bit odd)

THE KIND THAT I DOUBT EVEN A PROFESSIONAL WRESTLER HAS.


PANEL 2

The Doc’s hand is pointing at Eric’s neck.


DOC (hand only shown and a bit odd)

IT’S HUMANLY IMPOSSIBLE FOR A PERSON’S FINGERS TO HAVE THAT KIND STRENGTH TO PUT IN THAT AMOUNT OF PRESSURE.


PANEL 3

Doc walks towards a microscope and gives a wave of the arm to tell the sheriff to follow him.


DOC (a bit odd)

IF YOU THINK THAT’S FUNKY, WAIT TILL YOU GET A LOOK AT THIS.


PAGE 19


PANEL 1

The sheriff is looking into the microscope, while Doc stands next to him waiting.


SHERIFF (in charge and looking into the microscope)

YOU DO REALIZE THAT I CAN’T MAKE ANY SENSE OUT THIS, RIGHT?


DOC (a bit odd)

SAME HERE AND I HAPPEN TO BE THE ONE WHO WENT TO SCHOOL FOR THIS KIND OF STUFF.


SHERIFF (in charge and looking into the microscope)

AND WHAT EXACTLY AM I LOOKING AT?


DOC (a bit odd)

WOLF HAIR.


PANEL 2

Doc is partly shown and the sheriff slightly lefts his head from the microscope to look at Doc’s direction.


SHERIFF (in charge and a little confused)

HOW DOES THAT FIT IN WITH THIS CASE?


SHERIFF (in charge and a little confused)

WE DO HAVE WOLVES HERE AND ONE COULD HAVE PASSED BY BEFORE MY MEN AND I ARRIVED AT THE SCENE WHICH WAS HOURS LATER.


DOC (partly shown and a bit odd)

BUT HAVE YOU EVER HEARD OF WOLVES THAT HAVE HUMAN CHROMOSOMES?


DOC (partly shown and a bit odd)

AND THAT HAPPENS TO BE A SINGLE STRAIN OF HAIR, INSTEAD OF A MIXED BUNDLE, WHICH YOU’RE LOOKING AT.


PANEL 3

An above view of the sheriff and Doc.


SHERIFF (in charge and in disbelief)

ARE YOU SAYING THAT OUR KILLER WAS BROUGHT INTO THIS WORLD BECAUSE A HUMAN AND WOLF DID THE NASTY?


DOC (a bit odd)

I’M JUST TELLING YOU WHAT I FOUND IN THE AUTOPSY.


DOC (a bit odd)

I DID SEND SOME SAMPLES AND PHOTOS OUT TO SOME EXPERTS WHO ARE BETTER EQUIPPED THEN I IN THESE MATTERS AND I SHOULD GET THE RESULT ON WHETHER I’M CRAZY OR NOT REAL SOON.


PANEL 4

School is over and Cindy and Edward are walking home.


SHERIFF (not shown and word box)

I…. I CAN’T BRING MYSELF TO BELIEVING THIS, DOC…. I’M SORRY, BUT SOMETHING LIKE THIS CAN’T POSSIBLY HAPPEN IN THE REAL WORLD.


DOC (not shown and word box)

THAT’S WHY I CHECKED OVER MY FINDINGS TEN TIMES…. “TEN TIMES!”…. BECAUSE OF HOW INSANE THEY ENDED UP BEING.


PANEL 5

Joe and his gang are walking. Joe looks really annoyed because he usually relied on Eric’s car for transportation. His gang is following him, but is keeping their distance because of the mood he’s in.


DOC (not shown and word box)

YOU KNOW ME, HENDERSON. I MAY BE AN ODDBALL, BUT I’M NOT CRAZY, I TAKE MY WORK SERIOUS, WHICH IS THE ONLY THING I TAKE SERIOUS SINCE I DON’T REALLY HAVE MUCH OF A LIFE OUTSIDE THE MORGUE.


SHERIFF (not shown and word box)

I KNOW, DOC, BUT IT MIGHT BE BEST TO KEEP THIS AWAY FROM THE PUBLIC UNTIL THOSE RESULT’S COME IN.


PAGE 20


PANEL 1

Edward is waving good-bye to Cindy as they part ways.


SHERIFF (not shown and word box)

THE LAST THING WE NEED IS STORIES ABOUT SOME SUPERNATURAL SERIAL KILLER TO SPREAD AROUND TOWN, AFTER ONE MURDER HAS HAPPENED, WHICH WOULD MAKE THINGS MORE DIFFICULT FOR ME AND MY MEN.


SHERIFF (not shown and word box)

I’LL HAVE MY DEPUTIES GO AND ASK AROUND, BUT THIS MAY END UP BEING A ONE TIME THING.


PANEL 2

Edward, who’s is the background, is about to pass by the junk yard where the old man and his dog are again sitting near the front entrance, who are closer in the panel.


PAGE 21


PANEL 1

The walking Edward is close to the old man and his dog. They wave to each other.


OLD MAN (cheery)

HEY, EDWARD! HOW’S IT GOING?


EDWARD (cheery)

IT’S GOING FI….


PANEL 2

The old man’s dog dramatically gets up and growls savage-like as if it was being threaten!


PANEL 3

Edward is shock that the old man’s dog would act like this to him since she has known him as a friend! Barking sounds are heard!


OLD MAN (not shown and surprised)

WHAT’S WITH YOU, GIRL?!


OLD MAN (not shown)

I’M SORRY, EDWARD, I DON’T KNOW WHAT CAME OVER HER.


PANEL 4

Edward walks away looking confused about the dog’s behavior.


DOC (not shown and word box)

DON’T WORRY; I DON’T PLAN TO SPREAD ANY RUMORS THAT MAY END UP MAKING ME LOOK LIKE A JERK.


PANEL 5

A closer look at Edward’s face, especially his eyes, that spots something that he remembers in a bad way.


DOC (not shown and word box)

BUT THERE ONE THING I CAN TELL YOU ABOUT THIS GUY WITH GREAT CONFIDENCE, WHICH IS THAT HE IS DEFIANTLY….


PAGE 22


PANEL 1

The side/back of Edward’s is shown as he looks at the dried and faded blood on the pavement that was his when he was attacked.


DOC (not shown and word box)

INHUMAN.


TO BE CONTINUED